The title of this series comes from the term épura, a word used in drawing to refer to the essential outline—the pure representation of a form stripped of all that is accessory. In these works on paper, that original meaning transforms into a pictorial search: a gesture that synthesizes, reduces, and allows the energy of the line to speak.
In Épura, matter becomes minimal and movement says it all. Quick strokes, monochrome or barely touched by color, construct a space where emotion and precision meet. Each line is a pulse, a breath; each void, a territory open to the gaze.
These works do not describe, but rather condense: the idea, the impulse, the presence. Épura is thus a meditation on the purity of gesture and on the form that emerges when all that is unnecessary disappears.
